Same Maggie,Different Emotions——The cultural connotation of maggies

FU Xiang-hong

Volume 22 Issue 3

Jun. 2021

Turn off MathJax

Article Contents

Abstract

References

Article Navigation > Journal of University of Science and Technology Beijing ( Social Sciences Edition) > 2006 > 22(3): 86-91,98

FU Xiang-hong. Same Maggie,Different Emotions——The cultural connotation of maggies[J]. Journal of University of Science and Technology Beijing ( Social Sciences Edition), 2006, 22(3): 86-91,98.

Citation:

FU Xiang-hong. Same Maggie,Different Emotions——The cultural connotation of maggies[J]. Journal of University of Science and Technology Beijing ( Social Sciences Edition), 2006, 22(3): 86-91,98.

FU Xiang-hong. Same Maggie,Different Emotions——The cultural connotation of maggies[J]. Journal of University of Science and Technology Beijing ( Social Sciences Edition), 2006, 22(3): 86-91,98.

Citation:

FU Xiang-hong. Same Maggie,Different Emotions——The cultural connotation of maggies[J]. Journal of University of Science and Technology Beijing ( Social Sciences Edition), 2006, 22(3): 86-91,98.

PDF( 310 KB)

Same Maggie,Different Emotions——The cultural connotation of maggies

FU Xiang-hong

Zhejiang Normal University, Jinhua 321004, China

Received Date: 2006-08-01
Available Online: 2021-06-30

Abstract

Abstract

Compared with other birds, maggie doesn't appear frequently in Chinese poetry; however, it embodies rich reflections. Therefore, both its theme-orientation and writing method deserve our study. In some sense, maggie refleets the author's character, the character of that age and some custom characters. Through this study, we may find some creation rules to enrich our literature resources.
- maggie,
- reflections,
- theme-orientation,
- cultural connotation

FullText(HTML)

References(0)

References

Relative Articles

[1]	CHEN Jingyuan, ZHUANG Meilan. The Value Implication of Xi Jinping Thought on Culture Guiding the Construction of Modern Civilization of Chinese Nation[J]. Journal of University of Science and Technology Beijing ( Social Sciences Edition), 2025, 41(1): 8-15. doi: 10.19979/j.cnki.issn10082689.2024010102
[2]	CHE Ming-ming, LIU Shu-qin. Pound’s Poetic Cognition in the Translation of Imageries: A Perspective of Comparative Poetics[J]. Journal of University of Science and Technology Beijing ( Social Sciences Edition), 2022, 38(3): 281-289. doi: 10.19979/j.cnki.issn10082689.2022010029
[3]	SHEN Wei, LI Meng, JIANG Ling-bin, LIANG Zhi-yang. Xi Jinping's Philosophical Implication and Practical Requirements on the Important Exposition of Fostering Aspiration and Wisdom[J]. Journal of University of Science and Technology Beijing ( Social Sciences Edition), 2021, 37(3): 233-238.
[5]	JIANG Xin-yu. On the Interpretation of Geographical Images in Classical Ci Poetry[J]. Journal of University of Science and Technology Beijing ( Social Sciences Edition), 2021, 37(6): 622-629.
[6]	CHE Ming-ming. Translation Reproduction of Images and Artistic Conceptions from the Perspective of the Variation Theory—Exemplified by Xu Yuanchong's Translated Versions of Classical Mume Ci-Poems[J]. Journal of University of Science and Technology Beijing ( Social Sciences Edition), 2020, 36(3): 104-110.
[7]	XUE Xiao-jian, ZHANG Fu-li. The Moral Orientation of the Supervision System in Ancient China[J]. Journal of University of Science and Technology Beijing ( Social Sciences Edition), 2019, 35(5): 88-97.
[8]	YI Xiu-qing. Transitivity and the Theme of Pursuit: Morrison's Song of Solomon[J]. Journal of University of Science and Technology Beijing ( Social Sciences Edition), 2016, 32(1): 50-55.
[9]	WANG Run-jia. The Philosophy of Leisure and the Implication of Teaism[J]. Journal of University of Science and Technology Beijing ( Social Sciences Edition), 2016, 32(6): 61-67.
[10]	ZHANG Jun, OUYANG Min, XU Wen-rui. On the Origin of Artistic Conception—Wang Guowei's Interprtation of the Concept[J]. Journal of University of Science and Technology Beijing ( Social Sciences Edition), 2016, 32(1): 113-117.
[11]	CHEN Hong-wei, WU Di. Ashes to Ashes: Dramatic Violence and Audience's Reaction[J]. Journal of University of Science and Technology Beijing ( Social Sciences Edition), 2014, 30(3): 67-69,118.
[12]	ZHAN Zhi-gang. The Conception of Consent and Its Political Implication[J]. Journal of University of Science and Technology Beijing ( Social Sciences Edition), 2010, 26(1): 133-137.
[13]	MA Ting-qi. Academic Nature: Value Orientation of College Academic Evaluation[J]. Journal of University of Science and Technology Beijing ( Social Sciences Edition), 2007, 23(3): 125-128.
[14]	CHEN Wei-guo, CHANG Xin, XU Xiao-cun. Analysis on the Narration Style of Wang Zengqi's Novel[J]. Journal of University of Science and Technology Beijing ( Social Sciences Edition), 2007, 23(2): 110-113.
[15]	ZHANG Yan-ling. Differentiating and Analyzing “Artistic Conception”,“Condition” and “Image” in Chinese Classic Literary Theory[J]. Journal of University of Science and Technology Beijing ( Social Sciences Edition), 2006, 22(1): 104-111.
[16]	DAI Ming-xi. The Historical Evolution, Cultural Sense, and Religious Emotion of “Picking up a Willow Branch”[J]. Journal of University of Science and Technology Beijing ( Social Sciences Edition), 2002, 18(3): 79-83.
[17]	YANG Yu-bao. On the Main Value Orientations of Traditional Education[J]. Journal of University of Science and Technology Beijing ( Social Sciences Edition), 2001, 17(2): 80-83.