The End of the West Modern Aesthetics

WANG Kun

Volume 19 Issue 1

Jul. 2021

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Article Navigation > Journal of University of Science and Technology Beijing ( Social Sciences Edition) > 2003 > 19(1): 83-86

WANG Kun. The End of the West Modern Aesthetics[J]. Journal of University of Science and Technology Beijing ( Social Sciences Edition), 2003, 19(1): 83-86.

Citation:

WANG Kun. The End of the West Modern Aesthetics[J]. Journal of University of Science and Technology Beijing ( Social Sciences Edition), 2003, 19(1): 83-86.

WANG Kun. The End of the West Modern Aesthetics[J]. Journal of University of Science and Technology Beijing ( Social Sciences Edition), 2003, 19(1): 83-86.

Citation:

WANG Kun. The End of the West Modern Aesthetics[J]. Journal of University of Science and Technology Beijing ( Social Sciences Edition), 2003, 19(1): 83-86.

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The End of the West Modern Aesthetics

WANG Kun

Chinese DepartmentSun Yat-sen University, Guangzhou 510275, China

Received Date: 2002-12-20

Abstract

Abstract

The Dependence of Art and The Independence of Art is the main difference between the west classic aestheties and modern aesthetics, the wide gap between “The Research For The Inside of Literature” and “The Research For The Outside of Literature”was caused by the difference. The Tartu School and Lotman introduced the biology to the aesthetics and treated the Literature and Art as independent being, they linked the Literature and Art to the real world with “ex-text” and “cultural-chain”, so they resolved the quarrel between The Dependence of Art and The Independence of Art and strode across the wide gap. Then the west post-aesthetics returned to cultural research.
- Tartu School,
- Lotman,
- beauty is information,
- ex-text,
- cultural-chain

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