On the Drama of “Robe and Wat”—With the Evolution of the Army Color and Solitary Color Clothes in Dramas of Yuan and Ming Dynasties

YANG Qiu-hong

Volume 32 Issue 2

Jun. 2021

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Article Navigation > Journal of University of Science and Technology Beijing ( Social Sciences Edition) > 2016 > 32(2): 100-108

YANG Qiu-hong. On the Drama of “Robe and Wat”—With the Evolution of the Army Color and Solitary Color Clothes in Dramas of Yuan and Ming Dynasties[J]. Journal of University of Science and Technology Beijing ( Social Sciences Edition), 2016, 32(2): 100-108.

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YANG Qiu-hong. On the Drama of “Robe and Wat”—With the Evolution of the Army Color and Solitary Color Clothes in Dramas of Yuan and Ming Dynasties[J]. Journal of University of Science and Technology Beijing ( Social Sciences Edition), 2016, 32(2): 100-108.

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On the Drama of “Robe and Wat”—With the Evolution of the Army Color and Solitary Color Clothes in Dramas of Yuan and Ming Dynasties

YANG Qiu-hong

Department of Chinese Language and Literature, Communication University of China, Beijing 100024, China

Received Date: 2015-11-08
Available Online: 2021-06-19
Publish Date: 2021-06-19

Abstract

Abstract

"Dressing" (披秉) in Chronicle of Brothels by Xia Tingzhi inYuan Dynasty became "Robe and Wat" (披袍秉笏) in Taihe Pronunciation Spectrum by Zhu Quan in Ming Dynasty,with the note of "drama of the monarch and his subjects". "Green Clothes and Slips" (绿衣秉简) in dramas of Tang,Song and Jin Dynasties is the direct source of "Clothes and Wat" (襕衫秉笏) in dramas of Yuan Dynasty,but "Robe" (披袍) has another source. "Dressing" of Yuan dramas is the clothes of officials,but "Robe" and "Wat" in dramas of Ming Dynasty obviously have a distinction between the civil and military roles. Therefore,the drama of "Robe and Wat" is the civil and military drama rather than the drama of the monarch and his subjects.
- "Robe and Wat",
- drama of Yuan Dynasty,
- source,
- connotation

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