On the Origin of Artistic Conception—Wang Guowei's Interprtation of the Concept

ZHANG Jun; OUYANG Min; XU Wen-rui

Volume 32 Issue 1

Jun. 2021

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Article Navigation > Journal of University of Science and Technology Beijing ( Social Sciences Edition) > 2016 > 32(1): 113-117

ZHANG Jun, OUYANG Min, XU Wen-rui. On the Origin of Artistic Conception—Wang Guowei's Interprtation of the Concept[J]. Journal of University of Science and Technology Beijing ( Social Sciences Edition), 2016, 32(1): 113-117.

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ZHANG Jun, OUYANG Min, XU Wen-rui. On the Origin of Artistic Conception—Wang Guowei's Interprtation of the Concept[J]. Journal of University of Science and Technology Beijing ( Social Sciences Edition), 2016, 32(1): 113-117.

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On the Origin of Artistic Conception—Wang Guowei's Interprtation of the Concept

School of Architecture and Art, Central Sounth University, Changsha 410083, China

Received Date: 2016-01-10
Available Online: 2021-06-19
Publish Date: 2021-06-19

Abstract

Abstract

In Chinese traditional aesthetic research and artistic creation, the origin of aesthetic mood has been a major theoretical and practical issue, and “image origin ”, “ music like origin ”, “ view source ”, etc. are the main statements on it. Its theory source can be traced back to the “ Yixiang origin ” theory. Modern Chinese master Wang Guowei’s interpretation about it has a far-reaching enlightment significance of artistic philosophy, but it has been overlooked for a long time. So it is necessary to be explored.
- mood,
- view,
- music like,
- image

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