Volume 38 Issue 3
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YANG Zi. On the Strategic Performance of Verbal Impoliteness towards an Integration of Mental Space Theory with Linguistic Adaptation Theory[J]. Journal of University of Science and Technology Beijing ( Social Sciences Edition), 2010, 26(3): 13-17.
Citation: CHE Ming-ming, LIU Shu-qin. Pound’s Poetic Cognition in the Translation of Imageries: A Perspective of Comparative Poetics[J]. Journal of University of Science and Technology Beijing ( Social Sciences Edition), 2022, 38(3): 281-289. doi: 10.19979/j.cnki.issn10082689.2022010029
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Pound’s Poetic Cognition in the Translation of Imageries: A Perspective of Comparative Poetics

doi: 10.19979/j.cnki.issn10082689.2022010029

  • Faculty of Humanities and Foreign Languages, Xi’an University of Technology, Xi’an 710048, China

  • Received Date: 2022-01-14
    Available Online: 2022-06-01
  • Publish Date: 2022-06-23
    Abstract
  • As an important branch of Comparative Literature, Comparative Poetics focuses on a comparative literary study based on cultural comparability, in the hope of revealing the general laws and correlations of research objects. Imagery is the soul of poetry and the carrier of emotional expressions. Due to the discrepancy in language characteristics and cultural thinking, there are both similarities and differences as to the ways of cognition of imageries between the Chinese and Western cultures. Based on the theory of Comparative Poetics, the present paper analyzes Pound’s poetic cognition in the translation of imageries in Chinese classical poetry via two relations or rather dimensions: imagery vs. artistic conception beauty and imagery vs. rhythmic beauty. It is found in the study that Pound fully represents the poetic elements and aesthetic features of Chinese classical poetry owing to his profound poetic cognition of imageries.

     

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