山姆·谢泼德《天使之城》中的“黑色洛杉矶”叙事研究

杨健林; 范一亭

doi:10.19979/j.cnki.issn10082689.2021110097

山姆·谢泼德《天使之城》中的“黑色洛杉矶”叙事研究

doi: 10.19979/j.cnki.issn10082689.2021110097

北京科技大学外国语学院，北京 100083

基金项目: 北京科技大学中央高校基本科研业务费项目“新文科背景下外语一流学科建设特色方向协同培育研究”（编号：FRF-BR-20-06B）；北京科技大学博士生科研基金项目“当代文化语境下山姆·谢泼德的戏剧研究”（编号：06198266）。

详细信息

作者简介:
杨健林（1990—），男，辽宁大连人，北京科技大学外国语学院博士研究生

范一亭（1975—），男，安徽桐城人，北京科技大学外国语学院副教授，硕士生导师

中图分类号: I106.3
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出版历程
- 收稿日期: 2021-11-29
- 刊出日期: 2022-06-23

Los Angeles Noir Narrative in Sam Shepard’s Angel City

School of Foreign Studies, University of Science and Technology Beijing, Beijing 100083, China

摘要

摘要: 在20世纪60年代城市转型的背景下，洛杉矶城市文化的衰败引发了美国文坛的关注。当代美国剧作家山姆·谢泼德在其代表作《天使之城》中，将“黑色洛杉矶”叙事引入戏剧，从城市环境和文化思潮两个方面解构了“天使之城”的浪漫化迷思。一方面展现战后洛杉矶爆发的生态危机，另一方面则揭露了商业资本对好莱坞艺术创作的压制与禁锢，从而揭示了剧作家对战后美国城市文化的深刻反思。
- 《天使之城》 /
- 山姆·谢泼德 /
- 黑色洛杉矶 /
- 后末日 /
- 好莱坞
Abstract: Against the background of urban cultural transformation in the 1960s, the material and cultural corruption in Los Angeles came to be a focal point in American literature. In Angel City, contemporary American dramatist Sam Shepard employs Los Angeles noir narrative to deconstruct the traditional romantic myth of Los Angeles in terms of its environmental catastrophe and cultural decline, thus revealing the ecological crises and the Hollywood reproduction mode constricted by commercial capital. By so doing, the play delineates a disillusioned, post-apocalyptic human and social condition for the post-war Los Angeles as an urban space of economy and culture.
- Angel City /
- Sam Shepard /
- Los Angeles noir narrative /
- post-apocalyptic /
- Hollywood

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参考文献(25)

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