妖魔鬼怪的狂欢——《卑劣的小鬼》中的“狂欢化”元素初探

The Carnival of Demons—A Case Study of Carnivalesque Elements in Sologub’s The Little Demon

1. School of Humanities and Social Science, China University of Political Science and Law;
2. College of Foreign languages, Sichuan University, Chengdu 610064, China

摘要: 狂欢化是由俄国学者巴赫金提出的诗学理论，着重揭示了文学作品中的“狂欢节”元素的文化诗学意义。在索洛古勃的《卑劣的小鬼》中蕴含着丰富的狂欢化的元素，作者用“狂欢化”的外在事象表现了人类的种种丑行和人性中深藏的恶，剖析了人性中存在的缺点。整部作品中充满了黑暗与绝望，但是却在“狂欢化”的特殊处理下透出难以遮掩的荒诞可笑的气息。探讨作品中的狂欢化元素对剖析作品的思想旨趣、作者的写作风格以及理解巴赫金的小说诗学理论都有着重要的意义。
- 狂欢化 /
- 《卑劣的小鬼》 /
- 索洛古勃
Abstract: Theory of carnivalesque is the poetic theory proposed by Russian scholar Bakhtin, which focuses on carnivalesque features in literary works. Sologub in The Little Demon using the external appearance of carnivalesque elements showed deep evil in human nature and the kinds of human hideous act. And it analyzed the shortcomings of human nature. The whole work is full of darkness and despair, but in a carnival atmosphere a black comic was shielded. Discussion of the works carnival factors for the readers to understand the nature of works has a non-negligible role.
- carnivalesque /
- The Little Demon /
- Sologub

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