Abstract: The thesis inquires into how Qing emperors described the images of Fengling Islet in Yuanmingyuan by means of their poems. From their pens, Fengling Islet in Yuanmingyuan was modelled multi-images through successive overlays. It was a summer resort, a heaven, and an auspicious place, and reflected the ideology of emphasizing agriculture. Those descriptions not only contained natural landscapes and personal impressions, but also invested with damp traces at that age, and loaded Qing emperors' ruling ideas.