On the New Historicist Approach of Bingo——Reading Edward Bond's Shakespeare in Senectitude
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摘要: 《赢了》是当代剧作家爱德华·邦德以新历史主义手法,再现莎士比亚晚年生活的一部历史剧,是值得全球莎学研究者和莎士比亚爱好者重视的一部开拓性新作。该剧用悲情的笔触塑造出莎士比亚被归罪感和虚无感笼罩的失败者形象,在诸多争议声中走向经典化。通过展示一代文豪在历史变奏中的无奈与无能,该剧揭示出文化精英被历史命运所挤压的客观事实和悲戚处境。“戏剧事件”的运用又提升了该剧的阐释张力,丰富了其主题意涵,间接批判了资本主义权力话语的暴力。该剧对中国话剧的创新具有范式意义。Abstract: Edward Bond's Bingo is a play of milestone value for Shakespeare study. It depicts Shakespeare as a self-reproached loser with nihility after retiring from public life, which has stirred up lasting arguments in western academia since its premier. To adopt the approach of new historicism to analyze Shakespeare's dilemma of choice making, a literary giant's inability in the course of historical change secures the round character of a secular William. Nevertheless, the use of “drama event”helps to achieve the tension of interpretation and enriches its thematic meaning. Bingo is a play of great referential value to the innovation of Chinese drama.
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Key words:
- Shakespeare /
- Bingo /
- Edward Bond /
- Stephen Greenblatt /
- subversion /
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